“I really love to do the opening set. It's a special responsibility to take an empty room and build the vibe, to prepare the audience for the night to come, to leave them wanting more. For this edition of Samhain, I began beatless and worked through organic creepers into techno slow jams, setting up BMG to shepherd us into the psychedelic techno assault to be wrought by Wata Igarashi.”

— Erika