"For this Samhain set I aptly found myself wrestling with transition in my personal life. My housing situation was in flux and mind/patience thoroughly worn down from a year of society's hyper performative fixation on an always present Black struggle (made more dire by a pandemic). With the ancient origins of this holiday marking transition and a collision of existential planes I wanted to play from within my situation in that same manner as a means of closing the door on it in my own way. I wholeheartedly believe 'the only way out is through' and with this drummy widening gyre I wanted to present an illusive path..." 
— adab